Legendary Hip Hop Producer Reveals UFO Obsession (Ft. Flying Lotus) | EARLY RELEASE & AD FREE

conversation. It was about the Skinny Bob stuff. >> Oh yeah. >> There were people just talking about like, oh, you know, >> this video is amazing and stuff. I'm like, are y'all still talking about this >> It's clearly like a [ __ ] dude. Like, >> I'm here with one of my production heroes, Flying Lotus. Uh, I feel like I can't even categorize you. I have to call you creative because you are an amazing director. You make films. Uh you're I think one of the best hip-hop

producers ever. Well, you come from maybe the most kind of interesting musical family >> I could think of. Alice Col Train is your what is your great aunt. Is that >> Yeah. Yeah. She was like Yoda, you know. She was like a Yoda type person. >> When I play it, it makes me recall Egypt, ancient Egypt. It makes me seem to remember that that that I have a past or a history there somewhere. >> She just had she was tapped in for sure

to to the source. Maybe this is something that we were, you know, connected to bit earlier in in our development as human beings, you know. Um maybe we were closer to God, closer to the source, closer to the stars. You saw a [ __ ] like frozen alien or something yourself, right? Didn't you see like that? >> I might have. I might have. I saw a thing with three fingers and three toes. >> Isn't Haime Mousan part of that >> situation and he's a known fraud, so

like it's all [ __ ] isn't it? >> I think Spielberg knew some [ __ ] >> And then he looked around the room and he said, "And there are a number of people in this room who know that everything on that screen is absolutely >> People would call in and they're like, "We're doing time travel stuff at Area 51." what we're thinking of as as They're they're extradimensional beings an earlier precursor of the um space program made contact with

different parts of the brain have different activities. >> But you know that, don't you? >> Maybe you should interview me. heroes, Flying Lotus. Uh, I feel like I can't even categorize you. I have to call you a creative because you are an amazing director. You make films. Uh,

you're, I think, one of the best hip-hop producers ever. And, um, uh, yeah, man, just an all-around awesome guy. And and I didn't even know you were interested in UFOs until we started DMing, I think, on Twitter or something. And it was that was so surreal to me because I was like, I've been listening to this guy for 15 plus years >> and he's into the stuff I'm putting out. What's going on? It was it was pretty surreal for me for you to respond the way you did too because I was just like,

you know, I felt like I was reaching out to a few people just to try to get some info and some insight on, you know, what people knew and and you responded and you're like, whoa. I like whoa. Cuz I've been following you too, you know. So, it was it was a trip and you know, I'm really excited to do this. >> Same, man. Well, you were asking amazing questions. You were like, why can't we just get Lou Alzando and Kirk Patrick in a room together? Why not? I'm with you. >> It's like, why is that so hard? Why are they who's who's not making it happen? I feel like one of them would would love

to do it and the other doesn't. >> Yeah. It's a lot of like cheap shots from afar. It's like, why can't we get Grush and Elon Musk in a room together? Why can't Yeah. >> Why not? Who's Who's afraid? >> Who's afraid? Well, in my experience, it's usually the anti-UFO side that it's like they're hiding something. They're guarding >> Yeah. and they probably put up that whole front like, "Oh, I have no time to talk to these people who are they're clearly liars and all this stuff." So, I don't know. It's kind of kind of bizarre

for me to like on the outside where you're just like you're seeing all this all this testimony and you're hearing all these things and then everyone's just kind of like talking in their own little echo chambers and speaking about it and it's just it'd be nice to just have a round table with all these >> you know, have what's this? What's that cat? Um, what's who's the skeptic? The big skeptic. >> Mick West. >> MC West. Yeah, put him in there. You know, like Yeah. Put everybody up there. >> Everybody. Let's just work it out together. Do you have any favorite UFO

or alien conspiracies? >> Oh, yeah. I love um I love There's a few. I love obviously Bob Lazar story is is super amazing. >> Yeah. And that touches on a lot of the stuff on your shirt for sure. Bob Lazar story is is one of the it's like one of the gateway drugs. >> It it is the gateway drug. Yeah. >> Um there's another I forget the cast's name, but the guy who worked at Rathon >> Eric Hecker. >> Yes, that guy. >> The dude that said we have a nutrino

emitter and detector on the South Pole. >> Yes. But it also was the reason for the Christ Church earthquake >> earthquake in New Zealand. >> Crazy. And uh I love that. I mean, I don't know if it's true, but I [ __ ] love that. It's wild. >> It's such a such a wild idea. Um >> and you know, I don't know how much of it is true. I don't know what's real, what's not. I feel like he must have been there. I think there's photos that he shared. He was right there. Yeah, he was there.

>> Um but you know, he said a lot of stuff was like overheard like water cooler talk. So, you know, who knows what that even means. But, >> but yeah, Steven Greer, fascinating dude. You know, he hates you, bro. >> I loved watching that episode of him talking to you, man. I never seen him be so [ __ ] >> mean. He showed up to that, >> dude. He was like, he was out the gate like not [ __ ] with you. >> He called me a dillant like four times. >> He said a lot, man. He said a lot. I

I'll if you let me finish, I'll tell you. You know, >> he was like, "Look, I've been in this for 30 years." He was like, "You you don't really know anything." Okay, I'm >> But it's funny though, man. I I I was actually um on my way here, I was thinking about how just thinking about the community in general because I, you know, ever since I've started liking >> all I get is UFO stuff >> in my feed and there's like, you know, the usual suspects who are posting

stuff. John Greenwald and um >> was like UFO Joe. >> UFO Joe. U he's amazing. Um, but I always find the just the the auxiliary community so >> Yeah. Um, >> and I don't really engage with it. I'm kind of a lurker. >> That's good. That's a better position to be in, trust me. >> But there was one time there was one time I I jumped in to a a conversation.

It was about >> It was one of those uh UFO accounts that was talking about the Skinny Bob stuff. Oh yeah. >> And like the the Skinny Bob video and I was like there were people just talking about like oh you know this video is amazing and I'm like are y'all still talking about this video? >> It's clearly CGI is like a [ __ ] dude. Like >> I said that and people were pissed. They were mad. >> They were pissed. They were like

>> who's this blue check I had never heard before? he got a whole bunch of followers on. Like he sound he's sending disinformation out there. Like I was like, "Oh [ __ ] son." Like people want to believe this [ __ ] so bad. >> Believe it so badly. >> And I feel bad now because we're in a time where like we're making all these crazy AI videos and all this stuff and it's just like, man, these people, >> I feel bad. >> No, it's a religion for most people that are into it. Yeah. because they're like, if this stuff is real, it has to incorporate into some larger

metaphysical worldview, >> And then it's like that's all that matter. It's the only thing because then reality is not what it seems. And then >> you see them get so >> argumentative and angry and dig their heels and if you hit one of the things that they're like sure about and it's it's one of the things that's hard about the quote unquote communities. You have >> I feel bad for you. >> I feel bad for you. I feel like anytime like after the Joe Rogan thing, I think I saw people just feel like Jesse Michaels is like a paid somebody [ __ ]

working for the government or some [ __ ] or like >> you know you're like the billionaires are in your pocket and all that stuff and like >> Yeah, I think 20% of Reddit thinks I'm like a CIA agent or something. >> It's ridiculous. >> It's crazy. Well, it's kind of shitty because not only are there like dangerous situations or like seemingly dangerous situations. I feel like I'm in visav those people, right? >> But I'm also >> And now I'm [ __ ] >> Now, now you're [ __ ] bro. These [ __ ] are going to come for me. >> You're going to get tracked.

>> You don't [ __ ] believe the skinny Bob video. Oh, you dick. I'm blocking you. >> Yeah. Yeah. Yeah. But I'm saying that you get it on both sides when you get deep enough. You get like the conspiracy theorists think that you're part of the establishment and then the establishment is probably keeping tabs on you and you're like >> [ __ ] hey, this is crazy. >> So thanks. >> Oh man. Well, >> my [ __ ] is tapped now. It wasn't tapped before. It's tapped now. Just be in here with you. >> Oh, that's funny. Yeah. Well, I don't know. Where do you think it goes? Do you

think it um >> just the whole UFO conversation? Do you think this ends with something get getting unveiled to Area 51, a saucer in a hanger? Do you think the president >> I feel like that moment right there, the president makes announcement. I always think about that and I always think about how many people be like, "Well, Trump said it. I don't believe it." >> Right. Right. >> Or then there's the people that say, "Ah, Trump said, well, I definitely >> But I know that the weight of that is somewhat diminished in this term. >> You know what I mean? >> Yeah. Yeah. It's something about it just

I mean if he comes out and says that [ __ ] everyone's going to be like why' he say that? >> What else? What else? What? Well, we know already but where's the video? They show you the video. It's like well it's >> Oh well >> I mean honestly you got to be like hang they got to be here with us. >> you know and and like >> it's going to take so much. I think at this point you can have the material. I got this piece of metal. >> Scan it. Yeah, >> you saw you saw a [ __ ] like frozen alien or something yourself,

right? You see like >> I might have I might have I saw a thing with three fingers and three toes. >> They call it the touch >> the tridactyl beings in Peru from dated from the Nazca period where there's cave art all over there. One of the the um biioinformatics genetics people found a mutation that matches a human mutation that involves digit differences on the finger. Crazy stuff that one of them has a fetus that might be tried inside of >> Yeah. Eggs, right? One has eggs. Yeah. One has eggs. >> So it's like

>> isn't Haimeme Mousan part of that? >> Situation and he's a known fraud. So like it's all [ __ ] isn't it? And >> I don't know. I'm just saying that's >> And I I met I spent a lot of time with Haime. I love Haime. I think he's >> I went to the the unveiling of Oh, you did? That's right. I went Yeah. It was like Yeah. It was like down the street from my house basically. So I was like, "Shit, I'm going there. I'm going to check that out." >> What was your take when like on the spot with the with the beings? >> Um well, they didn't have them there.

There was a presentation like saying that they are, you know, they were showing the photos and the the X-rays and all that stuff. >> um so it was a little hard to really have an opinion when you don't have you're not seeing it with, you know. >> But I just take it all with a grain of salt. I find it fascinating. It was I had a great time. Yeah. >> Met a couple cool people there >> and left. >> That's the move, man. You You have the right orientation towards this whole subject, which is like it's fun and like we'll see what happens. >> Yeah, we'll see what happens. Um

>> I will say though, there's times where I'm like, n this is real h you know, there's been there's been those moments, but then there's been moments where, you know, it's just like, well, of course it's us. Of course it's our technology. Why would they want to say why would they want to admit that um >> you know we're making all these crazy why would they want to share that with >> I think the way to back them into a >> is you go as deep as you can on the anti-gravity stuff and then you go as

what was it with Ross Khart when it came out, man? That video, he was like >> talking the whole time. Me and my buddy was like, "All right, let's take a shot if he blinks." >> Chad didn't blink at all. He was sober like a [ __ ] That's funny. >> But like, but man, it's it's it's really interesting, fascinating stuff. And I I don't mean to poke fun or whatever, but I I think it's >> I mean, if you follow this stuff, I really do hope that you have a sense of humor about it because >> you need to >> you got to it's it's just like, >> you know, you get so worked up. People

get so worked up over these things. I can tell just by the tweets and seeing >> Um but yeah, people need to touch grass and be families, you know. >> Sometimes people get so heated. I'm like, just relax. It's all good. Yeah, >> it's all good. It's all good. You know, if it if it is true, your life is not going to change. You're still gonna have to go to work tomorrow. >> That's right. >> Yeah. Yeah. Yeah. Yeah. Whatever it is, at least right now, is like weakly entangled with our reality. Like we are,

>> you got to still be a good person. You got to pay your bills. You got to do all these things that like Yeah. aliens don't really affect it that much, >> man. And like I'm sorry if if Ross Kohhar really knows where there's a giant UFO that he knows where it is. I feel like there's ways of leaking that information that doesn't, you know, get anyone hurt. >> I uh just interviewed him and of course I asked him that. >> Is there anything Joe Rogan just talked about this? Everybody talks about this amazing bombshell thing that you

reported on. You know what I'm going to >> Yeah. this UFO possibly found in uh uh uh that that that they needed to build a bunker around that was like, you know, a mile plus long. Anything you can say about it? >> I do not resile from saying what I've said previously, which is that there is a buried or at least built upon UFO that was too big to move. >> And that's it. >> He did not. give me the answer.

Something tells me, you know, he might be bending the truth a little bit. You >> I don't know. He He implied, and I can say this cuz he said this to me and it's coming out. He was like, "It's an extremely sensitive site that you you'd endanger personnel on the ground, like maybe soldiers or something." So, that makes me think like current war zone. >> It's a very sensitive place. >> That should be enough of a guide for >> Mhm. and to reveal the full extent of what I know would compromise the lives

of young men and women who are doing good things for America completely separate from the UAP program and they're probably oblivious to what's sitting downstairs. There's ways to leak information. He knows that. >> You know, it doesn't have to trace back. >> Come to him, right? >> Yeah. Come on, man. Like, >> come on, man. >> If you can really change the world >> Yeah. You should. >> Yeah. Yeah. Come on, Ross. >> Oh, that's it. You know, it's like >> I understand his spot though, too.

>> Cuz say he hasn't fully corroborated that that's true. Like he somebody shouldn't be saying then he shouldn't be saying [ __ ] right? >> He shouldn't be going cuz he's very confident when he says that stuff. >> Yeah, it's true. It's like, >> you know, I remember when those the Chinese drones were flying over and he was always like, "My sources say this and my sources say that." He's so confident about sources and then his sources keep changing the story still. >> Well, he just came out with something about the drones recently. >> His sources did. >> Yeah, his sources. He said that something about the drones being

American military exercises like Yeah. >> So, I don't know. his sources told him it was the Chinese too. Before at first, you know, it was like there's some I mean, if anyone out there is really about to change the world with this stuff, I feel like the powers that be might forgive you, might not go to jail forever, might not get executed, >> you know. I think it's worth I I think it's worth it if you really got the

>> right? Yeah. like you'd be you'd be the people's champion. I would do it if I wouldn't be torpedoing uh like if it was like a person that was like you will get me killed or something like I can't do that but if it was >> like you'd be like Julian Assange dude like you don't want to you don't want to >> but Jul look at where Julian Assange is man it's not a fun life >> this the difference though yeah >> right is like that information is totally different than

>> true it's not like you're just going headtohead with Mike Pompeo the CIA. It's totally different. >> It's like this is just pro. You'd be the people's champion. >> Yeah. I mean, >> people like Luigi, man. Whatever. Like, yo, that's next level. You could play him in a movie. >> What's that? >> You could play Luigi in a movie. >> Oh, I'm down. >> I heard Super Super Mario's brothers were It was a very high grossing uh film. So, you know, you got to pay a pretty penny if you want me as a you know, Rock Green.

I'm talking about the [ __ ] guy who killed the >> Oh, man. >> God damn, man. Why you gonna throw that at me? was the people's champ. >> He was the people's champ for a while. I don't know why. I mean, I kind of get it cuz United Healthcare sucks, you know? It's like also [ __ ] that guy. Not that he deserved what whatever happened, but >> I Yeah, it's a weird one. I don't think that killing people is the way to the way forward with with anything. Um,

>> but you know, in terms of making a difference and stuff, >> if you got the goods >> like that. >> Like UFO goods like that. Like world changing. Come on, man. >> It's interesting. I think you met my buddy Chris Ramsey. We were hanging out in Austin. Amazing magician. Has an awesome channel, Area 52. Yeah. >> He asked me on the podcast. He was like, "Is it the logical conclusion that you will be shown a UFO?" I hadn't even thought of that. That maybe >> yeah, like that'd be cool.

>> Like I wonder if like Art Bell was shown, you know, Art Coast to Coast. >> Like was he shown a UFO? Like he had these things art arts parts, these little bits and pieces of UFO stuff. >> And I wonder if he was ever given access to anything because he was in Nevada area and like I don't know, he just had so many crazy crazy whistleblowers back then. Yeah, it's interesting. People think the whistleblower thing is a new phenomena. Like then people would call in and they're like, "We're doing time travel stuff at Area 51. They know I'm I'm

running from them. I just quit or whatever." Like people call in saying this [ __ ] It was crazy. >> I I've kind of been running across the country. Um Oh man, I don't know where to start. They're they're going to um they'll triangulate on this position really really soon. You can't spend a lot of time on the phone, so give us something quick. >> Okay. Um Um Okay. What what we're thinking of as as aliens are, they're uh they're they're extradimensional

beings that an earlier precursor of the um space program made contact with. Uh they they are not what they claim to be. uh they have infiltrated a lot of uh uh a lot of aspects of of of the military establishment particularly the Area 51 uh the the disasters that are coming the military I'm sorry the the

government knows about them and there's a lot of safe areas in this world that they could begin moving the population to now aren't >> but they're not doing they're not doing >> They are not they want the major population centers wiped out >> so that the the few that are left will be more easily controllable.

>> Well, this was certainly interesting. We are now on a backup system, everybody. A backup system. And uh that one caller that I had on the air, I guess we were about in the middle of his transmission, his telephone call, which was one of the strangest ones I've ever had, and the entire transmitting system by satellite went down here. and we were notified we were off the air and it would appear to be from this end and

some sort of uh massive transmit failure. So we are now using a backup system to be on the air and not that I would normally believe this kind of thing mind you but I can't help but wonder if somebody somebody zapped us in some way. >> Yeah, man. I mean, look, if they got the goods, someone needs to say something or else you're just going to get a bunch of the same same stuff that we've been seeing. I don't It's

going to take a lot to move the needle, I think, at this point. You know, everyone's like >> waiting for that movie, what, The Age of Disclosure come out or whatever. Like, that's going to make a difference. Like, it's just going to be another same people talking the same thing. Ain't showing nothing different, you know? We'll see what happens. >> Yeah, I'm curious, man. Well, >> watch it, though. I'm still watch it, >> Oh, me too. It's a great movie. Do you Will you help with the whole thing by making a movie about one of these

>> Well, yeah. I would I I would like to try my hand at it. I get a little discouraged because I know old Spielberg's coming out with his disclosure. Yeah, he's going to do his thing. I don't know what what angle his is going to be. Uh, >> it's a love story with Emily Blunt. >> Of course, it's a love story. They're all love stories. >> They're all love Steven Spielberg. >> Yeah. But what's the other thing? >> But do you like Spielberg? I I I would guess that maybe you're not the biggest Spielberg fan. >> It's funny you say that >> cuz I feel like you don't like conventional [ __ ]

>> It's funny you say that. >> I love Spielberg. >> I love conventional movie. I love it. I love it. I love it. When you can do when you can do the whole hero's journey thing well and it works. >> It's It's amazing. And I'll be honest with you, a big part of my love for Spielberg is John Williams, though. >> Oh, amazing. I mean, the music's >> So, like, you want to go back to like Well, Jurassic Park is actually like a like top >> Oh, yeah. >> You know, um >> 10 years old seeing that movie for the first time. I want to be a

paleontologist after I saw that, you know. I was like change like going to change the trajectory of my life kind of movie. But I think there was something about his movies with John Williams that that synergy, that connection just really um it brought in the sense of wonderment. >> Oh yeah. >> In in the film and it just made like I didn't realize until like last year. I went through a Spielberg thing last

year. I was I watched all of the movies. All of them. I because I was really it was more so a John Williams thing I was going through. >> Uh so I had to watch all the Spielberg stuff but >> you know Close Encounters. I had actually never seen that one before. >> Oh wow. >> And it was like perfect timing you know all the UFO stuff >> and um I was just blown away and I saw >> I'm embarrassed to say but I only saw ET for the first time this year. >> I love ET. >> That movie destroyed me. I was like I

was watching that movie like as a grown man, but I was also like a 12-year-old boy watching that movie and like the last half hour I just couldn't stop crying. It was just like just endless. Just couldn't stop it. That movie just destroyed me. I could think about that right now and probably start crying. >> It's It's so good. And when he's biking and you have ET with the hood on and he's and they starts flying off the cliff or whatever and the John Williams thing comes in like oh my god. I think Spielberg knew some [ __ ] about UFOs. I

think he has some inside sources. >> because you watched Close Encounters of the Third Kind. You have >> stuff in there. >> You have the crates that say TRW and Skunk Works in the late ' 80s when nobody really knew that much about those two frontier R&D. >> Something was up. He was definitely he was definitely clued in. And there was like it was some weird stuff too like the orbs. We had some like like orbs that trailed after the big UFO thing. >> I didn't even know that. >> There were some like weird little little They were like here we go just >> right. It was like little little stuff

>> it was like really >> the sunburn that he gets when the UFO passes over the mountain or whatever which that's really interesting. >> Dude, I didn't even pick up on that. >> Oh yeah. It's like it's like electromagnetic radiation damage, which if you like, you know, Kit Green and Gary Nolan, you know, CIA spooky stuff. They're looking at biological effects of people who've witnessed or encountered UFOs. It's the same stuff now. And then ET, you have the kid lock on with ET and they have the same bio-ythm and heart, you know, readings or whatever. And

that's like Jake Barber where it's like he's locking on to the the craft. And then the final one, this is my favorite one. You seen Back to the Future? >> I live under a rock. >> Yeah. So, he executive produced that. >> So, we've talked about this guy Thomas Towns and Brown. >> Yeah. That's your boy. >> I love Thomas. Can't get through an interview without mentioning this anti-gravity amazing anti-gravity inventor. But in general relativity, time and gravity are related. So, the whole his whole life he's obsessed with time travel. M >> and if you watch Back to the Future,

it's EMTT E M T Brown Thomas Towns and >> flies on his flux capacitor which is capacitor experiment. It was Brown. Uh it took place in Pasadena which is where Brown lived. >> That might be coincidental. >> I don't know, man. >> I don't know. Wow. >> I don't know. And then it was it was the year that he died. It was 1985. And then it goes back to 1957 which is when he proved his experiment and it was powered by Mr. Fusion. his experiments were powered by he wanted them to be powered

by nuclear reactions. >> I don't want to watch it again. >> I want to watch it again. I think that movie might even cuz if if some of this stuff is time travel, that movie is fascinating because it points to us mistaking the UFO thing for aliens, extraterrestrials, when actually it's time travel because the kid, I don't know if you remember this, but the Delorean comes back in time and um >> it hits it goes into the shed and the kid has a magazine, like a UFO magazine, and he's he's looking at the thing and

he goes, "It has no seams. It has no rivets." He goes, "It must be a flying saucer." And then and then uh when Marty goes back, >> he comes out like he's an alien, too, >> That's right. >> That's right. He looks like he is. So, they mistake it. And then when Marty comes back, his father goes, he's trying to get his mom and uh dad back together so that he can exist in the future timeline. And his dad goes, and he's like, "Dad, like, you know, he doesn't call him dad, but he goes, you know, she really likes you. Like, come on, get together." He goes, "I wouldn't listen

to you unless you were an alien showing up in my bedroom from another galaxy." And then he shows up. >> So, it's almost like showing how we might mistake. And then Steven Spielberg in an interview says, "What do you think is more likely uh you know, distant galaxies, Zeta Reticuli, you know, Andromeda, you know, whatever." Or >> did he say Zeta Reticuli? >> He said one of those dude. I was like, "Damn, son." He go there, then he's definitely clued in. >> Yeah. Yeah. Yeah. Yeah. I don't know if he did. I might be putting that in his

or or he said and he says, "Is that or is it us thousands of years in the future and they're keeping track and trying to like adjust timelines?" >> What if they're not from an advanced civilization 300 million lighty years from here? But what if it's us 500,000 years into the future? >> He said it with Co Bear recently and he apparently said it to the Deadpool creator. So, I don't know. He might know some [ __ ] >> It was in the White House screening >> Yeah. and Reagan got up to thank me for bringing the film to show him you to show the president, the first lady and

all of their guests. And um and he just stood up and he looked around the room almost like he was doing a headcount and he said, "I want to thank you for bringing ET to the White House. We really enjoyed your movie." And then he looked around the room and he said, "And there are a number of people in this room who know that everything on that screen is absolutely true." And he said it without smiling. Um um but he but but but he he said that and everybody laughed. By the way, the whole room laughed because he presented it like a joke, but he wasn't smiling as he said

>> That's wild. I think it was funny though. Spielberg was like I I heard him say something like >> um he he he gave a lot of props to Denny Villanu for Arrival. He was like, "Yeah, this the best UFO movie since Close >> Like damn, bro. Like you you really on your [ __ ] like that. You really feeling >> That's great. >> Since my movie. >> The best one since I did something. >> Arrival is amazing. >> Arrival is amazing. >> It's incredible. >> Arrival is amazing. Do you ever read the

book associ >> Oh be cool if I had read it about it. >> Um yeah but yeah Spielberg he's he's switched on man and uh James Foxh how do you feel about that moment of contact that I thought that was really >> I think that's his best movie. Well I I think the phenomenon James Fox is amazing. I love him. I think he's got the best energy. He's like the type of guy I I would love for him to be the guy

to film the first UFO or find it because he's been he was uh valeting cars and painting fences while he was making his first movies. He's so passionate and he just in it for all the right reasons. He's so collaborative. He just loves everybody. So he's the man. Um the phenomenon I feel like is the best like entry point if you don't know anything. >> I always show that to people who are like what about what's going on with this? I was like, "Yeah, watch that one." Because it's like it breaks it down in in the best way. It's like >> Best overview. Best gateway. Yeah.

Exactly. And then >> Moment of Contact, I think, is one of the best docs on this ever. >> And it's I love that it's so out of left field. It's not some official US government thing. It's like these people in Virginia aren't lying about this >> Yeah, man. It's really, really >> I just FaceTimed him. He's made moment of contact, too. >> Oh, really? What else are you going to say about it? There's a lot of new crazy >> Y Okay. >> Well, I'm curious. I'm curious. >> Do you think that more like It was such

a revelation to me to see that you were into this. I was like, "This is the coolest collision world. Do you think that more people in just general culture continue?" Cuz I think it's on Twitter. It's like you and Father John Misty are like to me like the cultural icons who are like >> peeping into UFO Twitter and like liking stuff here and there. I don't know if you know that, but >> I didn't know that. That's cool. >> Oh, it's really random and funny. Yeah. And he'll he he wrote like something like uh >> when I when I heard Diana Pulka say that

someone wrote and you know the author's name and everybody who's in it and did that [ __ ] dude. Like I forget everybody's name. I don't know y'all's name back here filming. Names already. >> Yeah. Sam and Mauricio. >> Sam and Mauricio. Are you lying? >> No, I'm not lying. I got that right. Yeah. Yeah. >> But I find that to be like that's actually super powerful. >> That's my First of all, it's a totally useless skill. No, it isn't. Chat G. No, it isn't. >> You don't need memory. It's a parlor trick on a podcast. >> No, no, no. It's always impressive to

>> Well, I appreciate that. That means a lot. That It's funny. >> It means a lot to Sam and Mauricio, too, that you remember their names, too. >> Yeah. Well, hey, what can I say? I mean, uh I think it's I think it's my only After the Rogan thing, we hung out at the mothership at his comedy thing and and my girlfriend was there and she was talking to him for a bit and he was like to it was the best compliment. He was like, "Jesse's memory is next level." And to me, his memory is next level. >> Well, I mean, >> cuz it's like he knows all sorts of

crazy facts about all the like I'm in a narrow domain. I probably have a decent memory on some of the other stuff, but >> he's got diverse interests. >> he's got diverse interests. He's actually one of the people who got me to try DMT for the first time. >> No way. >> Yeah. Yeah. Really? >> Back in the MySpace days. >> He was he was talking about it. And I think this is even before he was like a doing the podcast like that. But yeah, he was >> Yeah, he was early on DMT, right? >> He was, you know, got me on Rick Strathman's book and all that stuff. And

uh I brought some DMT for you actually. >> Just kidding. Uh >> I think this would be the most absurd >> Don't smoke DMT here. Don't Don't do it here. Don't do it here. >> I would break. >> But you should try it. >> Maybe I will talked about that last time. Honestly, I don't >> I've done Iaska. Technically, I've done it, but not the not the fast acting. Yeah, >> maybe. Maybe check it out if it comes your way. >> Yeah, maybe check it out. >> You've told me some stories. >> Hey, you know, it's um it's fascinating

stuff. I feel like my brain don't think of the stuff that that showed me. So, I find it to be really really interesting. >> Yeah, that's fascinating. It's like you were in another objective reality. Like where does that if that's not in your >> Yeah. Cuz you know where is that? I always think about you know people saying when they trip they talk about like oh I was >> I was in Jimmyi Hendricks's guitar when I was listening to his music and all that stuff. Like >> Jimmyi Hendrickx was nowhere to be found in this reality. It was like really

>> just stuff that I never my brain doesn't go in this direction. But it's funny though cuz I don't really recommend it to people anymore >> except people like yourself >> for I feel like my worldview is so trippy though. I worry I worry that it >> I remember you saying that >> like you you're afraid that like you're not going to come back or something >> because I'm already so like my my world view is very different I think than the average person cuz I'm in all the weird [ __ ] all the time. So I I feel as sensitive as I ever have around like,

you know, just keeping this thing on, you know, straight. >> No, I feel that. >> But in the right sentence setting, if it were, you know, to come across my path serendipitously, I would do it. >> Who would throw a DMT with it? >> Maybe you, man. >> I mean, who else? >> No, maybe you. >> That'd be awesome. >> That' be cool. >> I wouldn't do it, though. It just be you. Um, >> that's Wild Rogan got you into it. Maybe. Man, it's um >> I saw he follows you on Twitter, right? >> Yeah. From like forever ago, like when Twitter first came out, you know? >> I could see him liking your music. I

know he likes hip-hop for sure. >> Oh, man. Well, that be that's interesting. Yeah. I don't know. I don't know what's up with Joe. I I I find him to be an interesting dude. Um but as far as DMT, yeah, man, I think um I think you need to try it. Oh man, >> that would be crazy. >> The way it came to me though was so weird because >> I I remember after hearing Joe Rogan talk about it, I I remember saying something on on MySpace just talking

about like I'm very curious about it or and then I was in Australia. I was in >> on New Year's New Year's Day. They celebrate day there um the summer. >> Yeah. So, >> as uh it was a a morning party that I was at. It was like must have been like noon or something like that and I'm like throwing down. Played a really cool set and I don't usually like toot my own horn if I don't deserve it, right? Like it was actually a good set. I played I was pretty wasted though too. So people

like carried me outside. Carry my big ass outside, yo. Like cuz I was so wasted. I'm like sitting out on on the patio of this venue and some dudes just random Aussies came up to me and just like dapped me up and was like, "Yo, I heard you want to try DMT." And just gave you like a fat sack of it >> and I like an idiot smuggled it all the way back to the States. I did a whole tour out there, smuggling it the whole way and brought it back. >> I I would never do anything like that. >> Yeah. Yeah. Yeah. >> But uh but yeah, it was um it was some

amazing stuff. I never seen any DMT that looked like that ever since actually. >> Do you feel like it changed the way you think after the experience? >> You know what? It didn't. But it it was more so validation to the idea that maybe there is some more than this. >> I think that's what it was helpful for. Just showing you that there was there's way more going on. >> Yeah. being behind the curtain, you know, and I think at that time in my

life, I needed it. You know, my mom had passed away like months months before that. So, I feel like it was really um >> a way for me to connect to >> the other side and still be here, you know. Um so, >> yeah, I think again I don't I don't recommend it to everyone just because I I do feel like if you are susceptible >> Yeah. to, you know, um, schizophrenia or any of that kind of stuff,

>> it could set you off. >> do you feel like the pain of your mother passing? You say that it kind of influenced Cosmic Grandma a lot, right? >> Yeah, absolutely. >> Was Do you feel like pain creates great art and it can spur on great art? Um, I think I think it's a weird one with that is I don't know if if that's real, but I'm just grateful to have art to turn to

>> when I'm when I need to go to church. It's an outlet. Yeah. I need when I have >> to say something. I'm always so grateful for that to be able to create music um um whenever I need to go back to the >> It's kind of awesome like when you feel overwhelming emotions, you have like a thing that you can just port it into. >> And I think a lot a lot of people don't have They don't they don't I'm really grateful for it because

>> you know in a way I get I get my job is to go to therapy >> pretty much >> is to just heal you know and um and try to understand more about the world and the universe and stuff and ask questions through the music. >> It's a it's it's a great it's a great >> If you could smoke DMT with anyone in the UFO world, who would it be? good question,

man. I'd be down to smoke one Bob Lazar. I'd be down I'd be down to get busar in that way, man. That'd be fun. >> Um, I wouldn't, you know, I I respect that experience so much that it it would take a lot for me to do it again. Actually, I've only done it like two or three times. >> And uh to try it again would be a lot. >> Yeah. I wonder sometimes some of these UFOs might be like it's it's like the is is DMT like you know night vision or like infrared or

something and if you were to hook those up to the optic nerve you could see that and DMT is like another version of that where it's like a window into >> I think Jake Barber was talking about that without saying so I think he was alluding to that a little bit >> and I think that maybe some of the other whistleblowers might have too but I I do feel like there could be some >> I at least the very least that maybe this is something that we were, you

know, connected to a bit more um earlier in in our development as human beings, you know. Um maybe we were closer to God, closer to the source, closer to the stars. And um I think that part of that was maybe seeing some of those places that you can access on DMT. >> Yeah, totally. And I feel like the reason a lot of people don't believe Jake's story is the reason I do believe it because it involves this like mental connection. And I think for a lot of

people, it's like you are grouping in >> ETS or NH non-human intelligence along with psychic stuff. Give me a break. I'm not going to, you know, >> dude, I'm going be honest with you. It was a lot though. It dropped a lot on the day and it was like >> even for me who's someone who's like I'm trying to be down you know like I was like buddy >> you gonna lose some people with that stuff second half of that story you should just stayed on the first half show the egg and let it let it go you know next interview you could talk about

that but man he dropped a lot on it and didn't blink either I was like bro like go easy on it. Well, both he and David Grush have this like googlyeyed I've seen some [ __ ] look in that in both of their interviews with Ross Coulter. I don't know if it's Ross' lighting or if like they've seen some [ __ ] you know, and like they have that, you know, kind of, you know, like I've seen something kind of gnarly. >> Grush blinks though. >> Grush blanks. Yeah. Yeah. Yeah. >> So about that, dude. I was just like, what is going on? Is he an alien? That's

funny. That's >> I think he's a little chiller in my follow-up interview. >> Totally. Totally. And I'm just talking [ __ ] I'm just having a good time. But I I have so much respect for all those cats. Honestly, I think it's um >> they're all I think they're all brave to just even knowing how crazy the community is, knowing how crazy >> the the stakes are and all this stuff. I I do I do feel like that it's a level of courage that is is pretty next. And these people aren't media personalities.

They're not trained to be in front of the camera and stuff. So, you know, you got to give them a pass. >> No, they they don't know what they're doing often. You kind of have to help hold their hand and stuff. And like they're scared and >> they I've see I see it firsthand cuz I often I'll get thrown in with them or whatever. They get a lot of backlash like like they got Randy Anderson who he went underground and he saw this like gauntlet thing that like emitted hieroglyphics and he was he was stationed at naval surface warfare crane in Indiana in Indiana in 2014. He was

taken down a bunch of floors in an elevator to a deep underground military base. And then he was taken basically through a tunnel past a bunch of skiffs into something that said I think it was like um off off world or offplanet >> Yeah, I heard about this. Yeah. Yeah. >> Was he talking to Greer? >> He was talking to Greer before I met >> Okay. Yeah. Yeah. Yeah. >> And and I had been talking to him for six months. He was talking to UIP Gerb actually before I met him, too. >> Oh, cool. Cool. And I had some inklings

that like this year was going to be kind of crazy as far as whistleblowers coming out. And I was like, dude, if there was ever a time I think you should come out now. And he was in Vegas and came down to LA. And but like right after that, you have all these guys being like he he's not a Green Beret and he didn't pass these tests and he wasn't at war. And it's like I spent I got dinner with him the night before. I spent a lot of time with him and his friends like hours >> and I met you know two of his cops. You're a scop, dude. >> But I'm a scop. That's right. >> They don't. >> Yeah, that's right. That's right. I'm a

>> They don't I don't believe you. >> Yeah. Well, good. There you go. There you go. But I It's like, you know, and his friends are like, you hear their frustration and you see their DD214, like their background, you're like, is anybody seeing this? And then you have these people. I think it's fine, and I think he would even say it's fine to go after the experience, be like, I don't know, maybe that was [ __ ] Maybe he was SCOP. But when they then they go after his like background as like a war hero, it's like come on. >> It's a lot, man. It's a lot. And it's No one wants to deal with that. No. And

anyone all these whistleblowers, they're watching how everyone's reacting to this stuff. They're doing their research. Why would anyone want to be put themselves out there like that just to get picked apart and be called liars and all this stuff? And >> It's just not cool. That's not fun. >> It's not fun. But I'm optimistic after this Wall Street Journal article. The reason being I think it's really interesting. They say it's all part of this Air Force hazing ritual, which is really dumb for the Wall Street Journal to say because I think then all of the

witnesses around UFOs and nuclear weapons, all these Q cleared employees, all these guys >> sue the government, >> right? you know, or or Wall Street Journal will follow up and and show the program that to the uh the American populace that there's like federal torture claims provisions and that so they they are they're [ __ ] >> cuz I think it's totally fake. There's no hazing ritual or if there have been it's been in little spots here and there that does not explain the whole thing. >> So they kind of back themselves into this interesting corner. I think that's the problem is trying to blanket all of

it ever, you know, is like >> I think so many of these things can be >> Personally, I think there's so many parts of it that that can be true. >> Um you there could be there could be future human. There could be some grays. There could be some stuff that we're doing. There could be some stuff that China's doing. All these things can exist, I think. And it probably is from my perspective. Yeah. >> I've been trying to figure out >> well, how I feel about all this stuff still because I go through this eb and

>> Of just kind of being like >> I'm always going to be fascinated. >> But in terms of my own personal beliefs, I'm just kind of always like eb and flow with it. Like I'm really in or I'm like, you know, I'm like back in and I'm like I don't know. So it's it's it's really it's really uh something that fluctuates for me. But I think I'm always going to be curious. I'm always going to be following it whether or not, you know, I'm I believe it. I just think it's all fascinating, especially cuz it's all playing out on TV in Washington and, you

know, we're having congressional hearings about it. It's crazy. >> What got you into it to begin with? >> Um, well, I mean, I've always been into sci-fi. I've always been into the idea of of aliens and stuff. I've never seen anything. And if I do, I probably can't say anything because I'm like the least person out there. Like, yeah, of course Fly Loader saw the show. Like, of course he did. But no, I haven't seen anything. And um but I've

always I've always felt that there there is more out there. And um I you know, I've made a film about I've made a couple films with alien themes in them. >> Yeah. And um I think when I was filming Ash when we were filming that movie um Aaron Paul told me about uh David Grush. >> Cuz that video the videos of him with

Ross Cohart has just come out >> and I saw it on my timeline but I was just kind of go through it. But then he was like yo man you got to check him out. I believe the Scott and Aaron. I you I don't I wouldn't have guessed that he was like really into the topic, >> but um you know, I watched it and then it kind of took me down the rabbit hole, I guess. >> but um but Aaron, yo, he's he's wild. He he talked to Bob Lazar. >> He talked to Bob Lazar. Aaron Paul

Yeah. And like they were like writing messages to each other. >> I know. >> I'd love to be a fly on the wall for >> I know. I know. So, you got to get him on the show sometime. >> I would love to. Well, I guess Breaking Bad is kind of a Vegasy show. Like, I don't I'm trying to think where that would even have occurred. >> I don't know how the connection is made, but like he's a fascinating character. >> Well, Ash was amazing, man. I loved it. And this set kind of reminds me. I was texting you. I was like, >> "This is not a set. We're in a spaceship. What are you talking about? >> We're in a We're in an actual

>> And you have the coolest shirt. >> You want to show it to the camera? We got Loheed Martin Aurora antimatter matter reaction anti-gravity. It's >> I have another one too. Like the Loheed Martin reverse engineering program. >> No way. >> Yeah, it's it's ridiculous. I I think it's fascinating. I that whole thing that whole side of it has just been like just super interesting to me. >> So interesting. the reverse engineering stuff and how much of that cuz there's definitely weird deception and like you

know scops going on with aerospace and >> how much of it is real because there's a lot of evidence that there's something there as well. Yeah. >> So it's fascinating. But it's funny that you said like of course Flyo's seen an alien. When I first heard your music, I was like, "This dude's an alien." Because I was super into like Dilla and Pete Rock and DJ Premier, all these like 90s hip-hop producers. And then you came on the scene and I think I >> it might have been around your album Cosmogram or Los Angeles like 08 0, you

know, 2010 era. And I just I saw you play actually with Thundercat in New >> and I remember cuz like Dillow would mess people up because his stuff wasn't quantized and then I remember hearing your stuff and I was like this guy's on another planet. Like this is crazy. >> Hey, well, you know, they made it okay. They made it okay for us to go there. >> Um, so >> Well, you took it to the next level, >> Hey, well, hey, doing my part. Doing my part. Yeah. But, you know, it's it's

funny though because I got, you know, just like everybody else probably, I got a lot of flack in the beginning for doing my thing, you know, and being being that person. Like I I keep bringing this up lately because it's so bizarre to people, but like back when I was first getting on and it seemed like around like what 2004 um I get a lot of [ __ ] Can I say [ __ ] I'm a curs. Oh yeah. Yeah, as much as you want. >> I used to get a lot of [ __ ] for using a

computer to make music. >> Back in that back in the day. >> Instead of an NPC. >> Yeah. You had to have NPC, you know, or or SP or something like that or else you wasn't making hip-hop. You was making techno or computer music or whatever. They was just like, >> there's no way there's no way you could you ain't there ain't no swing in that computer. You can't swing with that. So, it made me more determined to to like really get in there and get the sounds and to try different stuff and >> and I actually was was really encouraged

earlier on in my >> development to, you know, just to do the other thing, just to try and go in different directions. And so, I owe a lot to the people around me really who supported me to just like not do not to do what everyone else was doing at the time. Well, you come from maybe the most kind of interesting musical family I could think of. Alice Col Train is your what is your great aunt. Is that right? >> And then uh Marilyn Mloud is your

>> and she she wrote Love Hangover and she also wrote uh I get high or I get high is the Styles P um uh Swiss Beats >> sample. Uh but it's it's no it's it is I get high too, right? Yeah, the original Free to Paint. She wrote that as well. >> So, you just come from amazing, you know, family when it comes to this >> They still was looking at me like I was crazy though, dog. I'm like, why this [ __ ] sound like some gar hitting on some garbage cans, you know, like why what is this? And uh I was like, but you guys

are crazy, too. What are you talking about? Um but yeah, I had to find find my way just like uh just like we all do. >> It is true. Your your drums I think set you apart. So it's like that plus the crazy synths like the like sounded like it was like you you leaned into the computer thing. >> And it was like that plus the drums which you know was like Yeah. It was like garbage was like back alley like crazy and I was like oh my god this is >> Yeah. Yeah. Well yeah just just went for

it, man. Just went for it. Um a lot of support from from my grandmother though. Um she was the first person to put a machine in my hands. you know, she had was the the 6 606, the TB 606 or something like that, like one of them drum machines >> with like, you know, those weird analog sounds and stuff in there. And >> she was just like, "Here, take it." I was just making drum beats and stuff when I was really young. And that was kind of what what set me up. And then

wow just being around different family like my cousin >> he was making music on a a Mac 2CI like old old Mac like back when that was like super foreign to record on >> and um you know was watching him while I'm playing Sonic the Hedgehog he's like making stuff that sound like Prince stuff and like I was just always surrounded by music and always surrounded by people trying to make stuff. That makes sense you played Sonic the Hedgehog because it I feel like it's that Sega like wave racer vibe.

>> Oh man, no doubt. And those loops, man, they still in my head, man. You know, and I still I still be sampling Sonic, >> Still to this day. >> That's awesome. >> Yeah. Yeah. >> So, was Alice a an inspiration for you early on? My aunt Alice was such an inspiration, but I feel like my appreciation for her and her music grow grew over time, you know, like when I was I feel like kind of in high school,

all the stuff started to make more sense to me and I was really starting to see it. But then when I went to college and really started like vibing there and like you know trying mushrooms and stuff like and like you know leaving my brain and stuff I'm like >> oh I get it for real now. You know it was really starting to make sense. >> And um and I had just the deepest appreciation for it. But you know still to this day like I feel like every other year I'll go back and listen to music that she made and just be like whoa what was she doing? How did she do that? Why

why did she do that? That was a weird choice. Great choice, but you know, like I'm still still picking it apart after all these years. >> And you said she never saw her practice. >> I never saw her practice. >> Never in my in my entire and I, you know, she was like the cold train side, the they're like the closest family to me in LA. >> And um so I spent a lot of time over there. I you know, I went to this to school right by their house. So I walk from school to hang out over there all the time. And you know, I would see them

very often. I never saw her practice. Never. And um I remember one one time when I was like maybe like 10, 11 years old, I went over to the house and she had a beautiful piano, beautiful grand Steinway piano. Um surrounded by, you know, her harp and all these amazing instruments. I went in there. I was like, "Hey, can I go play your piano?" >> She's like, "Well, are you going to play I was like, I don't I don't know

>> What do you think she meant by that? >> She meant am I going to get down, dude? Like, don't mess around, you know, like don't go in there like messing around on my piano. You going to go in there and play it. >> You go play it, but >> you better play. So, I was like I took that like >> I So, I didn't do it. I never I never touched that thing ever. >> And she was very kind of spiritually tapped in as well, right? Oh man. Yeah, she was the most she was the most tapped >> I would say. Yeah, there's a lot of influence, but I guess it would be more

non-denominational leaning, >> but um but yeah, a lot of lot of influence there. Definitely. Yeah. >> Yeah, she's amazing. I mean, just hearing what's it? I think it was Tia and Rama Christrista. It's like that old blues kind of vibe >> and it's just so be it's like ethereal and beautiful and you're like where is this coming from? It's amazing. >> It's wild because it can always be you can always hear the blues and then it just goes to some other just crazy

places. And >> I remember being with her in in Paris once. She she had me come with her and and Robbie, they play at a show in Paris toward the end of her life. And um I just remember just hearing her, you know, she was like a she was like Yoda, you know, she was like a Yoda type person where she was like real she was really tiny and you know moved very slowly, very gentle with everything. >> But you know, she just when she went all

that PE boom was busting out all crazy, you know, like who is this person? It was like even even Rodney, her son, she was like, "Whoa, what is going on?" You know, so like >> she just had she was tapped in for sure to to the source. >> Well, John was tapped in as well. I mean, I think he might be at least top three, maybe favorite jazz musician of all time or are you a fan of >> Absolutely. Absolutely. And and I think I think I was a fan of his first

>> and it was it's funny because when I was growing up and I would people would want to talk to my aunt and be around people want to talk to her. They always want to talk to her about John Cold Train. >> All they want to talk to her about is like what was it like being around John Culture? What was he like? What was he like? Mhm. >> And she would always answer very humbly and you know and then >> now it's like everyone wants to talk about Alice Cra and it's it's really awesome to see that just to see the turn >> But I I do wish she was here to to see

her her influence um in the way because I feel like now I'm hearing way more about her than him. even though he's, >> you know, I go to sushi restaurant, it's always John Cole straight playing, but like I just feel like the the young the young folks around are really vibing on her music right now and it's really cool to see. >> Absolutely. Well, she really I think just pushed the envelope and experimented. Obviously, he was amazing, too. But, >> um, that is cool to see. It's

interesting how music kind of like your UFO interest es and flows and changes and how do you feel like do you feel like it's in an interesting place right now? Do you feel like it's in a weird place like music in general? Is that even a Is that even a a question you can ask or is it just it is what it is or >> you know as far as the industry and all that stuff? I I can separate it and think about it in terms of like the actual music itself and there's always some good stuff going on. Always always

interesting. You just got to look for >> You got to seek it out. But, you know, if you're only going to listen to what the charts are telling you, then you're probably going to be thinking it's it's all the same. It's definitely weird that it's now filtered by is the person a good social media personality. That's weird to me. >> Absolutely. And like the numbers like people people even see like okay well they only have certain amount of listeners on Spotify so they're probably not that good. >> They're probably not that great. You know they only got like

>> 10,000 listeners every month. So they're >> right. It's this like infinite force ranking of everything. Absolutely. Everything's a beauty contest. >> Oh, dude. >> And I feel like in the past 10 years, you know, the the numbers thing really got into the fandoms of rappers and stuff like, >> you know, first week sales and stuff >> people are like kids are talking about rappers first week sales like selling what what are people selling anymore? Like y'all buying records and stuff out

here? like what is what is it's just it's super weird that that's actually part of the conversation in terms of >> is something good or interesting. >> It's like what are they selling? How how much are they moving? How many units are they moving? Like >> it's like old barbershop conversation or something that has now become like a a very very popular bit of a conversation >> Well, you started an amazing record label, Brain Feeder. Do you feel like and I didn't even realize some of the

people you had signed. Yeah. I was independently fans of and doing research for I was like who >> I was like to Taylor McFaren like I was like I was like of course he signed him like it's like similar drums and like >> of course you'd be into Taylor McFaren. >> Oh I love like that when I first heard I think it was Degrees of Light. I was like like this is crazy. Like what is that? It reminded me of you a little bit and Detilus and >> I'm trying to think, there were a couple others on there where I was like, damn, I didn't even know you guys had worked >> Yeah. Yeah. Brain Feeder has been going

for a minute, man. It's been going for a minute and it's it's something that I'm actually really really proud of because it's it's you know something that is kind of flourishing on it on its own at this point you know and >> I'm still doing a lot of work with brain feeder and curating and you know an ANR side but >> you know that that's like a it's a machine that's moving and it's awesome to see >> and maybe through that you can fight back a little bit where it's like I don't care if you have 10,000 weekly streams or whatever. I love it.

>> Absolutely. And um you know it's it's become a thing where it's there's a lot of risk in a personal sense because I want to do right by the artists. >> But as far as everything else, there's no risk for me. You know, I'm not trying to make money there. I'm not It's really not my source of income like that. It is, but I it's not, you know, at the same time. So, I just was like, it's it's my a passion project, but like >> I've been so grateful to be able to see

all these different artists flourish and have their careers and, >> you know, they're doing their thing and being there. Yeah. >> Super cool. Is there anybody you're into now that the public probably doesn't know about? >> Oh, yeah. Absolutely. Um, there's a there's an artist just named thing. >> Just Thing drum and bass. some drum bass, like classic drum bass, but sometimes we'll mix up some like >> some like um UK like two-step, you know, kind of gar UK garage kind of vibe um

you know, smaller following. >> Doesn't matter. Don't care. But like I'd be in the gym. It's like doing listen to amen breaks and stuff like Yeah. So it be it's kind of random. But >> um and the cat puts out stuff like every week. It's pretty I know. That's >> Yeah. Thing. >> Go check out Thing. >> Thing is dope. Thing is dope. Yeah. >> Sick, man. >> And you've worked with some of the most legendary artists like >> I mean, one of the guys I feel like

you're just probably friends first and then collaborator second is Thundercat, who I saw you live with in New York. >> Um, he's amazing, man. He's so awesome. I mean, he he credits you for having helped give him a voice and cuz he was just playing bass primarily, right? And you kind of helped him out and you were like, "Look, man, you should just sing over your over your tracks. Is that >> Yeah. He was doing some oo and a's on stuff and >> I was like, "What's going on?" You know, let's do it. And and then there was one

day I'll never forget and I I think about it all the time. We were sitting in my apartment, my sweaty apartment in Um, and he just, you know, we're working on some music. I have these like like portable portable lunch tables. They're like, they're like, uh, you know, the classic picnic tables or whatever. That's what I had all my my gear set up on. And it was like surrounded by all these like medicinal marijuana jars >> and it was Yeah. He just looks over at me and he was like, "Man, I want to be

your artist." And I I was like, "Yeah, what does that even mean?" You know what I mean? Like, "What does that even mean? I never have never done that sort of thing before." And um yeah, we've just been going at, man, ever since. We just been going for it. And it's it's been awesome to see. and and honestly something that I take so much pride in aside from my own work is you know just seeing how his music and his message and his influence has

affected the world. You see, he's another guy who like, you know, back in the day, I think was always respected like as a almost like an artist artist where it was like he's amazing on the bass and then like in the last 5 years I feel like >> people are just like everybody knows who Thundercat is, which is so cool to see. >> Y I was I was just randomly at dinner and they they're playing his music just randomly, you know, it just comes along >> let's go. >> Yeah. I love it. I love it. >> Is he into alien stuff? Like I could see

he seems like such a like a fun kind of goofy personality. Like I could see him being into >> I feel like he's you know he's kind of like come over the house and I got like some weird alien YouTube videos on and I'm like I turn him off real quick. I'm not watching any of that stuff. No, but I don't think he's really into it. >> Okay. Okay. >> I don't think he's super into the the >> but you know because he's probably an alien. He don't want to be exposed. You know he doesn't want >> Exactly. They don't like the exposure. >> Or maybe you'd act into it like you.

>> You never know. >> Maybe. Maybe. >> We might be. You know, it might be Walking Among Us. >> Right. Right. Maybe. Maybe. >> Um, I want to list some artists and you've either collaborated with them or you might have something to say about them. I want to get just one sentence about each of these guys. >> Jay Dilla. O man. Um, one of the greatest ever. Um, very grateful to have met him

uh a couple times close to the end of his life. Um, I feel like I saw him maybe a week or two before he passed away. It's >> I delivered a check to his house. >> Yeah, let's tell that. You told me this story. So crazy. I used to work at Stones Throw >> um back in the day and he >> Were you like you were like >> I was an intern. Yeah, I was an intern there. Um >> a paid intern. >> I was working there long enough they had

to had to start kicking me down a little bit. Um but um yeah, I I was there and uh yeah, he was finishing up the donut stuff that was that was happening. Uh, Mad Live Sound Directions is he was doing that. It was like he started Mad Live starting to play drums live and stuff and that was kind of like that the time I was there. Um, and yeah, they were they were finishing up some business and they they sent me over the house like, "Yo, um, you might see

something over there. Just, you know, be cool." Cuz he wasn't in really good shape, you know, toward the end. He had like a a blood disorder or blood cancer or something. >> Uh lupus and and I don't know what else but but something else. I think something else was going on too. But um >> but yeah, I was I I got to see him. The machines were still on, you know, he was in a wheelchair. >> He looked really bad, man. I cried after

I left there. I was like I was fully in tears just cuz >> damn. Not only because of what I saw, but just because I still felt the energy. I still felt >> the power still. I felt the the the the force. It was strong still, man. It was really strong even toward the end. And it was um >> it was really really um it was a lot, but it was I was very impressed that even then, you know, the everything was

still lit up. Like he was still working on some [ __ ] Was he good energy? Was he Was he great? Yeah. Yeah, he was great. And And you know, I could tell he didn't want anyone to see him like that. And that was the thing, too, was like I could I didn't really want to look him in the eyes, bro. Just cuz I just tell he didn't >> But he still was like holding it together. And Yeah. >> And he was at Common's house, right? >> Common. Yeah. I think they were Yeah, they were living together. But yeah, >> his mom's was taking care of him around him, too. >> Yeah. You listen to some of those tracks like that um Eley Brothers sample, Don't

Say Goodbye. He call it bye or whatever and you're like, "Oh my god, he's like saying goodbye and it's so ethereal. It's so like >> crazy or donuts of the heart that um Jackson 5 sample. >> It's like >> Yeah. When when I was there, I think it was it was finishing up the shining the shining stuff was happening. Donuts was already done by by then. We were already like hearing all that stuff in the office and you know we were getting like >> donut deliveries you know and like there

was like a couple beats coming through and we would like gather around the record player and like or whatever and just be like oh what is going on you know just be like blown away by >> interesting. So he was doing the shining after donuts. Well, yeah. I think there was there was still little es and little eb and flow little bits and pieces that were kind of like, you know, still lying around for um for donuts. >> Like I think um >> can't remember exactly which one, but there was some stuff that wasn't all finished. It wasn't all finished and

delivered. There was like pieces of that. And I think >> Shining was finished by >> I think JRock or Kareem Rigggins back back then. So >> Okay. Yeah. Stones Throw was so interesting. Like what a constellation of amazing. It was, you know, Peanut Butter Wolf started uh with him and Charisma and San Jose and then they came to LA kind of for Mad Lib who was blowing up at the time and like man was that an inspiration for you for Brain Theater and just being there. >> It was a huge inspiration. Um before I

you know I was actually living in San Francisco studying film >> and a buddy of mine was like you know he was we call him Crazy John cuz he was crazy. He was insane dude but he had he had great taste in music and he was like oh you like hip-hop well you need to listen to LP you need to check out MF Doom Metal Fingers. Okay, Victor Vaughn,

Mad Lib. I was like, "Okay, I'm going to check these people out." And I went and bought these records and my mind was blown and I was like, you know, just yeah, started getting back into making beats. I made beats when I was younger, but when I was in college, I and like hearing that stuff, I was really I got really into it again, like and more so on the sampling side because >> all the stuff I had made before was kind of like synth based and >> you know, messing with um groove boxes and then that was like the gateway into

sampling, getting back into that stuff. >> Um listen to Wuang and hearing all that. But favorite Wuang Clan member, >> there isn't. >> Of course. Yeah. Hard to argue with producer. Yeah. Yeah. Yeah. Although >> Jiza had some amazing beats, too. >> Amazing beats. >> Bizo Heart and Soul. >> But but yeah, when I was when I was in school, I remember just being like, you know what? I'mma skip history of film

school history of film and just like >> work on some beats right now. Wow. I'd be doing that. And then I heard about this label Stones Throw that was in LA back home. And I was like, you know, maybe I need to The whole scene was in LA, too. So, I was like, man, I need to get out of San Francisco, go back and be around these people >> and get in that energy. >> So, that that kind of led me back there. Stones Throw brought me back in a weird >> I love it. All right, let's keep going on the artist. >> Sorry, I was only supposed to give you a >> No, no, this always happens. I love it.

It's uh it's uh we're flowing. Um, >> no wonder your shows are like three >> Yeah, man. It's just It's always just I think the best conversations are just free association. Just what you're you know, whatever comes up. >> Yeah, sure. Sure. Sure. >> Um, speaking of which, you just named two people I was going to ask you about. So, let's go Mad Lib first and then uh >> Oof. Okay. Um, Mad Lib was was definitely one of the most inspiring

folks around. Um, considering he was one of those people who was like, "Oh, it don't matter what you use, >> you know." And I'm like, "Okay, well, I use a computer, >> you know, it don't matter. >> Just make something." And then it was like the output, >> you know. I I remember being being interned and they showed me the like the the box, you know, of like all the Meline beat tapes or whatever and they were like, "All right, you know, check these check these out." And it was like

>> it was insane just being a like it'd be like hundreds of beats on like he would fill up all these CDs. >> And I would listen to all them joints, man, and just be like, "Wow, what is going on?" You know, and just >> crazy. And it would make me feel lazy, >> you know, it just made me feel lazy and it just but also it was one of those things that just kind of lit the fire. It's like, okay, >> I need to work on this thing. I need to keep going. There you go. So, >> it was uh he was definitely influential in that and just the energy, you know, he was just such a cool, humble person

>> and you know, whenever I got to be around him, it was just like a it was a special day. It was always a special day just cuz you know he was he just had such a an impact on on the whole community too. Like there was aside from you know the the stones throw thing you had this kind of adjacent squad of of producers who would hang out kind of around like the any kind of stone throw related event. You know, there would be like the cast like DBasi and George Moldro, Ross G,

>> you know, Take and all these other great um producers who went on to go and do great things. >> We started to build a community kind of on the side of what they were doing. >> And you know, we'd be out front of whatever parties they were throwing with the boom boxes playing each other's beat tapes and stuff. And that was really, you know, oh man, Mad came by earlier, you know, with, you know, dudes who worked at, you know, Pooh Records and Amoeba. They'd be like over there like, "Yeah, man. He came in, he got this record, this, that, whatever." So it'

always be like, >> um, you know, legendary Mad Live stories of what's going on. Um, >> but always always really influential, really inspiring. >> And he wasn't Quasimoto like an accident? Like that's how prolific he was is like I think Peanut Butter Wolf like found that or something was like dude this is actually pretty cool and then he kind of ran with it. >> Yeah. Yeah. That's exactly. Yeah. >> So crazy. >> Yeah man. Um >> and Doom >> Doom was

I mean to me he's he's my favorite rapper still to this day, you know. I I think um he's kind of he mastered the the the persona of of this the the character he created, you know? He really did. He was really the villain, bro. Like, I mean, all the stories you heard about Doom are true. I don't know. They're not It's not legend. It's all >> like not showing up to stuff. >> Like not showing up to stuff. Like not

showing up to stuff. I remember there was there was a gig we invited Doom, you know, um I I had a show in in London and he was going to play >> and you know, we fly out to I fly out to London. I think he's already there cuz he had been deported or something. I think he was already living in the UK. >> So, we're like, great, get doomed on stage, you know. and I think as we were soundchecking, we're I'm in the venue.

>> Yeah. Yeah, >> this is like this is the day I think day before cuz we had to set up cuz I had the whole visual show. The day before he cancelled the gig. Uh and uh it was that's kind of unheard of. I mean, you hear that, oh, okay. Well, but doing that sort of thing in this business is not cool, especially when you have flyers and all this stuff promoting everything. We actually got J Electronica to fill in that spot, which is also a really crazy thing to do because he's also like

>> he's another guy where it's like you never know when he's going to release his album or show up or >> but I think I think he had reasons to come visit the UK and uh >> well he was uh is he married to like a >> I didn't want to go there. >> I did. I went there. >> I wasn't I said it for you. >> I said he had a reason. I don't know what the reason is still. Um >> but yeah, >> very elite. >> Yeah. Yeah. Yeah. Yeah. Um but he came out and rocked it. It was wild. But um

yeah, it was it was really it was really scary. And that was that moment. I was like, "Oh, wow. He really is the villain. He he doomed me. I got doomed right here." >> Um but man, you know, it was like after that happened just how well it's the >> Yeah. Yeah. Yeah. That's what he does. I feel like he's just the most elusive interesting like I don't know. It's interesting with him too where we were just talking about Thundercat, you know? I feel like 10 years ago it was still

more kind of underground hiphop obscure circles were hardcore fans of Doom. Now he's on Tik Tok like he is mass media like Biggie. They they biggied him, man. It's it's wild. >> It's wild. >> It's super cool to see. Mhm. >> I just for some reason I just thought of like the first time I met Doom though. I met him at at Peanut Butterwolf's Halloween party. I was like bathrobe man cuz that was all I had was a bathrobe. I couldn't I didn't have any other costume but you had

like a dude in a bathrobe and some >> I'm Hugh Hefner. >> And uh and Doom shows up. He just got into town. He just he just shows up as himself of course. Um, and I'm like, you know, hey man, how's it going? How what's how you living? How how long are you in town? You you welcome to LA. How long you out here? And he was like, >> can I trust you? It's like that like >> I hope so. You know, like that was the first thing that was his response to me

and I was like, okay, >> He's a he's a special special cat. >> Very special. Well, you hear him way back in the day. We were talking about this last time when we hung out. He was in a group called Third Base and he is in that song Gas Face and his voice is like different. He seems like more of like like he's trying to be this like more square like cut and dry rapper. >> Yeah. Like Tribe Callquest vibe a little >> 100% early 90s. And then he like goes off grid. I think he's homeless for a

while and he comes back as Doom and you're like, "Oh my god." Like his voice is different and >> man Yeah. He he'd been through something. He you know he'd been through a lot actually. >> But um but yeah, there was there's something about it. He locked in. He he figured it out. He just fully embraced the villain. >> I think there's um a really cool movie to make. >> Definitely. Why don't you make it? You're the >> You are the most qualified because you make amazing movies. >> I am the most qualified producers

>> And estate You knew the guy. You made music as close to that genre. You have a You were on a track with him, Between Villains with uh Captain Murphy. >> There's two tracks. Yeah, there's two >> There was uh we were supposed to do EP together. He had a whole bunch of stuff on his computer, you know, the the >> classic tale of like a hard drive full of stuff and a lot of it there's a lot of my stuff on there. >> and uh what's going to happen to that? Let's get that out. I know. Oh no.

>> estate movie and hard drive. >> Um Thundercat actually got to see him close to the end. He went I think he saw him at his house in in London. He was over there. He was he was staying in London for a while. So got to have him talk about that. >> Oh, I'm curious. That's amazing. Okay, let's keep going with the the crazy >> Uh Kendrick. >> O actual genius. >> Actual genius. M >> weird little guy.

>> I remember asking Kendrick, "Yo, man, what books are you reading?" >> He was like, "Oh, man. I I don't be reading, man." You know, power of now. I was like, >> I was like, "Okay, all right. That's cool." You know, I was so so surprised someone like him >> who has so much to say and >> um very thoughtful >> didn't didn't read didn't like reading books and stuff. I just felt like it was all in there. I thought it was all

>> I felt like he was always >> referencing books in his work. >> He is referencing I wonder if he some people are just kind of tapped in too and they're channeling and it's just >> yeah actual genius. He um you know the kind of person that shows up, writes it on the spot, >> does no no fanf fair. >> You know, he came through wearing some like, you know, some some slippers with some socks on and wearing some shorts and a hoodie and just kind of, you know,

just kind of came through and killed it, bro. Like, >> would you say best battle rapper of all I wouldn't put it in the battle rapper category. Personally, I think >> he's he's he's definitely one of the most important voices in in music. >> to Pimp a Butterfly is is classic album. >> Um yeah, I I have one of those people too. You're just like it's it's so >> you're like, "Wow, okay.

>> I don't want to get in your way. I don't want to I actually don't want to be >> I don't want to be near you. I just want you to be able to exist and not you know like it's there's something very um he has this sort of um I don't know this vibe about him where he's just like super quiet. >> Maybe he's in his head. He don't say much. So I just was like I just want him to do his thing. I don't want to >> interfere or interrupt whatever his whatever is going on.

Yeah. Yeah. Yeah. >> Who's who's uh top five for you MC's? >> He's up there. Um if not, you know, number, you know, top three at least. Yeah. Him, Doom. Man, this is the worst question to ask while I'm on camera. Like, I don't suddenly don't know any rabbit. >> They've all fallen off the face of the earth right now. >> Um, what else you got? I got I got I got got a couple more I want to get through.

>> Oh, Q-Tip. He's a super super inspiring dude. Um amazing producer that um as well as >> Um I think he didn't get he doesn't get enough credit as producer >> uh from my perspective. Yeah. >> Really great beats. Um >> really great energy. >> The voice. Mhm. >> Um I don't know him that well, but we

try to collaborate on some stuff. >> I think sometimes the thought of working together is better than the result sometimes, you know, but um >> uh I would love to to have another go. >> At that. Yeah, for sure. >> What about Aex twin? that because you know he was he was one of those people that I listened to back before I

was in college without knowing who or what or why. It didn't matter. It was just dope. >> It was just cool electronic music to me. >> Square Pusher, Aman Tobin, >> those guys were kind of like in my sphere. here. I wasn't like fully in the electronic zone. >> Um but those were like the kind of pillars uh for for my ears. >> Um but and I always found a lot of

inspiration from the music videos. >> Um Chris Cunningham videos and when they did that director series back in the day, the DVDs, they had just had all the collections of music videos from like Chris Cunningham, Michelle Gandry and and so on. Um, and I always just would run those. We'd run those so much and just like just pick them apart just cuz, you know, being uh in film school and thinking about music, music videos, like those were the the most cutting edge.

>> Those were, you know, that series, the director series. I wish they would re-release those on, >> you know, 4K whatever things now, but I don't think it'll ever happen. But >> yeah. Okay. final one in this series. Kanye. It's funny man. I actually I never really had the like I'm a super Kanye fan. I never had that

>> But I did love Jesus. >> I didn't like it when I first heard it. >> Then it really grew on me. And I think that that album regardless of what you know he has become I feel like that album was really really ahead of its time and it it set a tone for many years in in music >> not just hip-hop just in music in general. I think that sound um it kind of expanded and it people

took it in different directions and um I think you know there's so much of like electronic music that has come from that >> hip-hop and the intersection >> that very influential stuff. >> Yeah. But but yeah then what a [ __ ] nutcase a little crazy. Yeah. >> Yeah, man. I'm not one of those Kanye sympathizers, man. I'm really not. I fell off the train when he said slavery was a choice. I was off that mother

>> You're tripping. >> Yeah. I'm going to get off now. >> You're fully fully tripping. >> Yeah. Yeah. Yeah. Yeah. I I just hope he's okay, man, cuz he's musically a big inspir. I love him. I think he's amazing. And I just wish uh I don't know. I wish he would just stop whatever is going on now. I don't it's it feels like it's he's definitely trying to get a rise like it's like if there is a third rail he'll touch it he'll hit it >> and then there's some other part where like is he even in control like I don't

I don't know. >> Yeah. Well, you know mental illness is a thing man. >> It's a thing and people are capable of being very successful and mentally ill >> at the same time. >> Um that is a thing >> often they're correlated. >> Yeah. Right. And um also too like >> you know the dude he's just like got probably like a lot of yes men around people like enablers people just

like I mean he's got a cult >> you know and people who are still apologizing for him constantly and just be like oh he you know he's just he's he's going through it you know but it's also got to be really hard for someone like him to have been at the top of >> of the music pyramid or whatever and to now just kind of just be existing among other other great people >> not being the greatest top selling most Grammy collecting person or whatever

like it's got to be a little little difficult for you >> 100% a little fall from grace there. >> Yeah, it's got to be it's got to be it's got to weigh on you. >> Mhm. Who are your biggest inspirations when it comes to film making? >> You put David Lynch in one of your videos and songs. >> You already know. You already know. Um, >> did I just answer it for you? >> Yeah, I think you did. I think you did. Um, yeah, David Lynch. Woo. He was >> Do you have a favorite David Lynch

>> Favorite David Lynch movie is probably Eraser Head. >> That's makes sense because of the movies you make there. That is such a crazy movie. Yeah, it's it's a crazy all this stuff is pretty out. Lost Highway. So, I got into David Lynch through being a fan of Trent Resnner >> back in the day, which is really I it trips me out when I think about it >> cuz he worked on Lost Highway. He did some music for Lost Highway >> and I was following him at that time. Okay. And then I was like, "Oh, what's this movie?

>> Who's this guy?" Lost Highway. Loved it. Um, and then I kind of got way in at that point and that was he was one of those people too um early on where I was like, "Oh, maybe maybe I should go to film school. Maybe this is for me cuz I really I really love this. I really love this." And I think he also really got me inspired >> aside from the film making more so like >> living the art life as they say, you know, where you just kind of fully

commit. You just you're fully you're fully in it, you know? >> That guy's tapped in. >> Yeah. You wake up, you smoke, and you you get to work, and you you that's your life. That's just create. >> Yeah. That's your life. And that's how I live my life. S's the smoking part. I' It was weed, but I' i've given that up a bit. Um but yeah, like um seeing that and seeing that it worked for someone >> and that they've made their their best

the some of the best things. It's like, okay, it's okay for me to be this way. >> Oh yeah. >> You know, it's I can I can do this and I can live this way and it's okay, you know, you kind of make sacrifices the you know, you have to have like whatever that regular life is. >> it's almost like his life itself is art. Like he seemed doing the weather in the morning and >> I remember I ended up at his house because of some TM, you know, transcendental meditation benefit. >> And he was giving some speech and it was

about, you know, he's like all you got to do is tap in twice a day, you know, the whole TM thing. >> And I was like, this guy's on another level. Like he's on another planet right now and he's getting downloads and >> he's he's truly amazing. And I feel like a lot of filmmakers try to do the David Lynch thing and they fail. Like they it's so hard. >> Yeah. Well, I think I think um the issue comes from you people still feeling like they need to satisfy the audience and and have some sort of like making sure

everyone knows what's happening and having closure. And it's like there's a difference where I think with his work, it's more so about how something feels >> versus how something what mean what it means or >> um what it's supposed to do or where the story is supposed to go. It's more so the feeling that it it gives you. And I think he always tells people that you know what it means. >> Even if you don't think you do. >> Yes. Yeah. And it's it truly I feel like he'll break a lot of sacred cows or you

know do things that you're not supposed to do but it like it just works. And >> I'd say Blue Velvet for me is one of my favorite movies of all time. >> It's so good and it's so good. I love that one too cuz it's a it's such a good gateway David Lynch movie because it on it starts off you know like most movies in a way it starts off kind of simply and it >> of all the stuff it is kind of more commercial leaning >> so it's one of those ones and but weird

yeah but and they have those moments I I'll never forget the scene near the end spoiler alert uh that uh >> you know what they deserve for it to explode if you haven't seen Blue Velvet. >> Do you you can you show a clip of this? Can you show a clip of this? >> I might be able to. We'll try. >> Maybe a frame. >> Yeah, you throw show a little frame for >> All right. So, the frame is is when um what's the guy's name? Um what's his name? And Kyle McLolin. >> Kyle. Kyle McLaclin. Yeah. The main

>> Um when he walks into home girl's apartment and some [ __ ] had already gone down and there's the the detective who's like wearing a yellow suit. and he's just standing there. He already been shot in the head, but he's he's standing there still. >> I love that image so much. It was so haunting, dude. Like, >> that kind of thing. It's just so surreal and such a kind of like, wait, is this a mainstream movie? Is this not? But it's just one of those things like that's you even see his painting background right

there cuz that's like >> that's just like some uh Yeah. some bugged outness. >> And I feel it's a juosition between this like suburban like kind of fake >> light vibe like the first scene I think is like some dude watering the garden or whatever and he like chokes himself >> fire trucks going by all the >> Yeah. Yeah. >> Yeah. He's he's the best man. And so you like how many years it been like eight

years that you've been making movies now or have or maybe before that on a smaller scale or how long have you been making movies? >> Um well if you want to go there uh for a while I I started messing around with camera a long time ago when I was when I was a kid. Um, when I was in film school, I made a a short film called Use Me, >> which won the audience award at the time. Um, and I was I've just been

always messing around with stuff. My friends have seen all my work, but the rest of the world hasn't. >> Dude, I love it. It's crazy. Like Cuso and and VHS and and Ash are all >> epic and they break your brain. Like they it's what art is supposed to be, I think. Like it's really they're all insane. So everybody got to go watch >> Kuso was fun and it's >> Kuso's crazy my favorite thing. Yeah, >> Kuso was fun because it's at that point now where people are re-examining it and they're like man that movie I love Kuso

and but at the time people were just like what the [ __ ] were you thinking? What are you doing? >> You can't do this. You can't do this. And it was it was really right that movie came out like right before you couldn't really do anything anymore. M >> it was like right when they started like >> oh little cancel culture >> right right and I I feel like I felt that coming on like >> you know just people's were getting a little sensitive to stuff and >> but I feel like now because things have gotten so stale in a way

>> something like that kind of stands out >> it's coming back I think like Gen Z Gen Alpha I think they're just like >> [ __ ] this like we like good art like it's all good >> some of the people who saw Ash were like, "Oh, man. I don't know. It's not like Kuso, man." I'm like, "All right, fair enough." >> Yeah. Yeah. Yeah. >> It's definitely not Cuso. >> No, Cuso is the will break your brain. >> Ash is a little more of a a movie movie like structured. And Ash is amazing,

man. And I feel like it like >> really plays on themes that are growing in the Zeitgeist right now. It's kind of the AI theme a little bit and it's also, you know, it's a little bit of the pandemic COVID thing going on as well where you have this kind of braeing like, you know, parasite that takes >> Uh, I don't want to spoil that either. >> You spoiled it already. >> I might have just spoiled it. Yeah, >> let it happen. Just let it happen. That's cool. >> But, um, that was amazing and it's an amazing cast. And >> it's funny though cuz when I think of

that movie now, >> I feel like if only I had done it now that I know. so much about the, you know, the the lore, the UFO phenomena >> It would probably be a little different. >> Or I would have a different take on some of the stuff that I did. >> how so? >> I don't know off top, but I just feel >> I should be making the alien UFO stuff. and maybe the next one will be, but um I

feel way more qualified to tackle the topic now just because I've been so deep in it, you know. But, >> you know, there are so many stories to tell, you know, so many so many that are >> that are, you know, one of those things where it's like it's stranger than fiction. >> I was You just took the words out of my mouth. I was like, that's what I love about the UFO topic is it is weirder than fiction. Yeah. >> And that's a cliche to say, but it's >> You hear some of these stories, you're like, "What happened?" And then you're

like sitting in front of the guy and you're like, "You have no mental health history and you were in a high position in government and like >> you got security clearances, all that." He's saying all that. >> Wild. Wild. Wild. But >> yeah, I I find so much inspiration in just listening to the stuff. >> Whether or not it's true or not, it doesn't matter. >> It's like I just find it fascinating. I'm like, "Yeah, keep talking." Well, I can't wait to see the Fly Low UFO alien >> Neither can I. Neither can I. And neither can my friends because I can't

stop talking to them about it. So, they're really >> I love it. It's one of those things where once you go go down the rabbit hole, it's like hard to not be annoying about it. Like, >> I know. I I I really had to just try to just not go there. But, you know, some people be like, "All right, so what? Give me the doubt. What's go what's been going on?" You know, >> and you always get looped back in. you you get tired of it and you're like, "Ah, this is crazy. There are all these scops. There are all these full of [ __ ] people and then >> you take a break and then something happens. You're like [ __ ] back." >> Yeah. Yeah. Yeah. True, true. Yeah, man.

when that when that damn um cuz I used to really [ __ ] with um Jeremy Corbel and George Knap, but then when >> Jeremy Corbel went on that whole tangent about the the missing page and the fact that he >> his name was taken off of the whole thing and it just really rubbed me the wrong way. That whole thing made a big old stink about it. >> Yeah, it was weird. >> And it was obvious that it's like >> it's not about you. >> It's not about you. Yeah. Yeah. And it was like that that's an official

>> it it makes the unease part >> in totally. Well, Matthew Brown also requires a follow-up. Like, yeah, >> the stuff that he said, >> it was like, you know, I I saw these documents, Immaculate Con. Here's the maybe the weirdest, most interesting thing. It was like, I figured out Immaculate Constellation. Lou Alzando's name was tied to that program. And then Lou Alzando's testifying with Michael Shaenberger saying um you know I can't confirm or deny whether I was read in basically saying I was read into this

[ __ ] So it's like Lou like tell us man like and then you have Corbel like doing speaking tours with Lou and stuff. So it's like let's take this thing a little bit further. And then Matthew Brown gets into he just tweeted the other day. I don't know if you saw I didn't see it. Oh, he tweeted the weirdest like it was like talking about how the White House has like a crystal ball basically like they have some proprietary AI that like predicts future timelines which is from a story based like if I were in trying to be inspired for like a movie like so

interesting but like >> it's like dude what where are you getting that like it's that's fascinating like >> that would be crazy if true >> crazy if true and I want to know and we DM'd a little bit but Matthew if you're out there follow up with I know you said you wanted to talk. Um because that's that's insane if true. That's like that's fascinating. >> And implying that like what else was did he say? >> He said a lot in that interview too. >> Said a lot. Said a lot. And he said that there is a god but that we're in kind of

like this prison planet and that these you know beings are you know we're kind of like captured by some of these >> Well we're like an energy source or something like that. Talking about that. >> Yeah. We're a resource. That's what it said. Yeah. >> Yeah. I don't know. >> That's kind of dark. I don't I don't I don't know. I don't know if I want to believe that that's it, you know? Hopefully there's some more meaningful [ __ ] going on. >> I hope so, too, man. >> We're not just getting mind. >> I wouldn't be surprised though. But they'll stop eventually. They're like, "Hey, you know what's funny though? I keep thinking about this [ __ ] like

>> aside from um >> the Barney Hill." >> Any other black abductees out there? M >> is it like a wife that is the OG that is you we talked about this last time that is the OG you know abduction so >> but that's a great question >> I mean aerial school right >> aerial school for sure then there's that little girl who says she says um in

space there's no love and we have love and so that's why the being wanted to come down and interact or whatever >> I think that in space there's no love and down here there is. >> There is love. >> but yeah, like they're not >> But you think the ratio is a little off? >> They're not taking no black people at night time coming in your crib and like taking that just is for some reason >> you think it's a it's a lower percentage than the percentage of the population >> or I mean maybe it's just not reported

or something but I don't I don't know this. I find that really fascinating. >> If you if you if you could find some like a book a black abductees or whatever, I want that book. >> Let's audience, let's get the stats on >> Yeah. Yeah. It's a it's a it's a funny thing that >> Yeah. Well, yeah. I mean, the first one I mean I don't know if they were the first, but the first very documented, you know, but that is interesting. I don't know. Well, Flyo, this was an >> That's it. >> How long? I think it was three hours.

>> That was three hours. This was amazing, man. I'm uh anything else that we're missing here or what? I'm trying to think. >> We might have got it, man. We might have got it. But keep fighting the good fight, man. >> Thank you, bro. I I will. And you, too. >> I'll do my best. >> But play some more them beats though. >> Y'all don't know that that's his beat in the intro to the show. Like, >> yeah, I found I figured that one out. >> Oh, man. Most of my beats. Put some more beats on, dog.

>> I can't I can't be talking to you about >> I'll tell you to do it. I tell you, keep >> Okay. Okay. >> Keep going. >> I need to I need to. But uh >> it's therapy, you know. And >> but then I hear your beats and other people who I like admire and I'm like, I can't make beats, man. >> It's supposed to be fun first. >> It's fun first, man. Like have fun, you know, and just explore, you know? If something happens, great. But like just have fun with it. That's the thing I have to remind myself to, >> you know, like there's so much pressure >> when I sit in the chair to do anything

>> um, that I have to remind myself that like no one has to hear or see or anything like I can just have fun doing >> Isn't that interesting about art where you start and there's no self-consciousness and then you become this thing for other Flying Lotus, you're like a concept for like other people, but you're like still in your head, you're like, I'm just this dude. But maybe sometimes when you sit down, you're like, I got to like adhere to this level of quality that I've done. >> Absolutely. And you just It's a daunting thing to just have a catalog and a

lineage and a history and all this stuff, but at the end of the day, I know that people can hear when I'm having a good time. >> I know it. >> That's beautiful. >> I Y'all can hear it. >> You know, you can hear when I'm inspired and when I'm having a good time. It's like it's obvious, I think. M do you sometimes look back at your life and you're like damn like this is stranger than fiction. Like h like it's a movie. The amount of people you've intersected with and your own insane career and then

how much you've been able to do in cinema and you've done I mean deeper cut people know Captain Murphy that you rap too and hip-hop production like everything. Do you ever think about that? I I do and I'm I feel like I just feel very grateful, man. >> I feel very grateful every day. >> I as written on my refrigerator, be >> because I am. It's just I have the best job in the world and I have so much love and support for all my endeavors, you

know. Of course, some people don't like what I do. >> Some people like this, some people don't like that. Oh, Cosmic Grandma was the only good thing he did. It's fine, you know. But like I'm I'm having a great time. I'm creating stuff and I'm I always try to hold on to that part that the the the innocent part of of that because it's it's they want to take it from you. >> You know, as soon as you start putting stuff out, they want to take that >> and you know, your management, you got managers and people in your pocket and your families and people want need money and you got to like support, you know,

>> and the legal aspects music and the ownership and the Yeah. Instead of just >> Yeah. and it's all all gets in the way of of the fun and all gets it gets too heavy. So, >> yeah, trying trying to hold on to that, man, is is a thing. And like kind of trying to always stay inspired, always chasing whatever that will keep me happy and inspired. It's a thing. >> I love it. Well, I don't know if I'm going to start making beats again, but maybe I'll send you some samples because

that it's funny. I have a little bit of an encyclopedia mind with the UFO stuff and then it's and then it's samples. >> I know. It's crazy. I was so shocked when you started like, you know, dropping dropping tunes on me. I was like, dude, you know your thing, man. >> I mean, I love it. I love it. I don't know. Well, it's uh it's more impressive to make this stuff than just >> You got to send me some playlists, man. You got to send me >> I'll send I'll send you some stuff. I'm sure you've heard everything, but I'm sure you're deeper on all this stuff. I

may I may know a thing or two, but it's still nice to hear where your ears at. >> But I'll send you some old soul. Like I'll send you some samples. >> Come on, dog. >> I will. >> Let's get it. You promised me those samples when we first started talking. I feel like that was early this year and I still ain't got nothing. >> Okay. Okay. I'm going to send you some I will send >> I know you're a busy man. You know, you got you got a lot going on. So I I give you pats, but I'm I'm I'm waiting. >> Okay. I will send you samples and you can do so much more with these samples than me. So, I really need to send you

>> get sued. That's what I'm going to get. That's just >> You can't really sample anymore, huh? It's just you got to just interpolate or >> It's a rap. Especially, you know, where I'm at, you know, people like ready to >> flag cuz you're so big and >> whatever you want to say about it. They know I'm looking for Yeah. So, like it's it's not fun, >> you know? So like that's why I end up doing a lot more keyboard stuff and less sampling just because it's like >> why did that h cuz like back in the day they would clear sample like you think about like

>> they would >> yeah no they wouldn't well I'm just thinking about like uh Juicy Fruit and Touay or whatever or like I don't know upside down from Diana Ross and you know it's like you're taking the whole song like that's not even sampling is generous or whatever you are literally taking a loop from the song and or whatever >> I look at why aren't they getting why isn't there some big thing with that >> samples were cleared

>> they were cleared but >> a lot of times it's not necessarily the artists who will sue you >> it's their kids >> you know like that >> the grand grandkids coming after you know like cuz they're in charge of the >> and they be listening >> right like that Robin thick for blurred lines, Marvin Gay over the baseline or whatever. >> Yeah, that was bad luck though. That was bad luck. >> You think that was just like really like too much. >> Yeah. Yeah. Yeah. You should have saw

something interesting. >> You should have saw someone looking over You should be looking over your shoulder doing that kind of thing. >> Yeah. Yeah. Yeah. Yeah. That was that was an obvious base. Yeah. That was kind of maybe a little ripoff. Well, it's hard to I don't know. I I'm usually pro the person taking the stuff and it's like you're doing something new with it, you know. >> I am too. But again, you can't speak for the estate. And >> being a person who's, you know, like my grandma, she wrote Love Hangover >> and people sampling her music is how we

ate for years. >> Yeah, totally. I love that song by the way. if there's a cure for this. >> But, you know, people sampling that was like, you know, Bone Thug sampled it, like um >> Will Smith sampled it. Like, so many people had sampled her stuff and >> Yeah, man. Like, we we probably would have been out on the streets if it wasn't for, you know, >> people clearing those sounds >> and stuff on the radio. >> Yeah. That was that's how we we ate. So, I I totally see I know the game. I get

it. I get it. People got to eat. So, >> yeah, that makes sense. And she deserves all the credit for that. I mean, what about Didn't she do stuff for Lamont Doer back in the day, too? >> I believe so. I don't know, though. Actually, I think so. >> I don't know what under a different under a different uh there was a group or something >> cuz he was Lamont Doer was in one of those groups. I'm blanking on which one, but he also had a solo career and he was a great solo artist. But I thought she might have written something for him,

>> put me on, dude. Tell me. That'd be awesome. Uh, I mean, look, people have been telling me stuff like that though. Um, like she was she had done some stuff in her Mottown era that I hadn't heard. You know, when my grandma was around, she was like more so writing trying to write new songs and trying to, you know, write jingles and stuff. So, she wasn't really focused on the back catalog as much. It was just like when those samples and things would come up, it would be, oh,

>> and like even the free to pay I get high. I didn't even know she did that until the Styles P >> Styles P I get >> I didn't even know she did songs about getting high, dude. I was like, "What? >> that's so funny. >> I had no idea." >> That's a beautiful song. The original is amazing. It's like ethereal and opulent and like >> has some really amazing sound in there. >> I feel like writers back in the day in that Mottown era were the most underappreciated. Like you think about I think about the Mottown roster obviously

like greatest of all time maybe record label maybe ever. And but like really the lynch pin I feel like is Smoky Robinson who is writing all the stuff for everybody else. I'm like damn like how did you write? >> It's wild man. And like some of the just some of the session musicians you know who they would call back in all stuff that be like that would be part of the sound that part of like >> the the foundation for all all this great music. And then they would sometimes get sick of writing and they'd

be like, "We want the we want to be up in front up up up front like um >> Mike Thundercat." >> Mike Thundercat. There you go. That's a great example. Or I remember like you know like McFaten and Whitehead like ain't no stopping us now. Like they were writers before you know a lot of it. >> Yeah. Yeah. my my grandma was doing she had her own music at the time too and you know I don't think much happened with her own stuff her own personal music but yeah there was I think a lot of those writers were musicians and

wanted to have a career singing and you know maybe didn't pop off but they could write so >> but it's a it's a thing I I would see >> she wrote for Junior Walker too just kid >> I love Junior It's awesome. >> But yeah, man. Like even in in modern days, you see it. There's just there's people was like, see, she was like a songwriter, but she was like kind of like a background character. Didn't want >> And then Yeah. eventually just like, you know what? I'm doing my thing. I'm not

going to show my face, though. >> Yeah. Never. Never. World. That's She won. That's the move, >> You're that big. >> Yeah. And you can just hide, you know. >> Yeah. Yeah. Maybe she was inspired by >> I know. I was just thinking about that, dude. Like, man, dude, he really did figure it out, didn't he? >> He figured it out. Yeah, >> I was funny cuz I I only just made the connection to the gladiator mask. >> Oh, dude, it looks the same. I did. I just did what you said. >> The connection. I was like, what is

that? Oh, yeah. >> That's wild. So he must have been basing it off of Gladiator cuz Gladiator >> I feel like that I don't know where the mask comes from but that is like the same mask. >> It's the same mask. >> cuz you have it going it goes below the chin. Yeah. >> Whoa. That's trippy. >> man. He his stuff is so like the metal fingers beats and stuff too. >> It was funny, man. When I first got into that the whole like these are some of the worst beats I've ever heard. Well,

they're just like raw as hell. And then eventually they're like come the best beats you've ever heard, you know? Yeah. But I >> Well, he would just take Well, they were all named after Roots, you know, and then he would just take like a Doobie Brothers loop and just throw it on >> Throw the worst snares on. >> And then eventually like, "Okay, I get >> It would just kind of work. >> Yeah. Absolutely. >> Like, okay. >> Yeah. Yeah. >> I love it, man. Well, round two. Yeah. Yeah. Yeah. All right.

We'll actually finish this. >> We're actually wrapping up. I could talk to you for hours, man. >> Fly low. This was an honor. True honor. And uh hopefully we come back when you are making your movie, your crazy movie >> I would love to. I would love to. And um thank you for having me. Honestly, it's so cool to be on the other side of this, >> Oh, man. I appreciate it. And I I owe you some sampling. I'm now publicly being held account accountable for this. It's time. It's time.

>> I might not put it out, but uh >> if you did, that would be uh a life moment for me on the order of like probably more important than anything I've done. You know, when you do a thing in the domain you you kind of know you're okay at or whatever, you're like, "All right, fine. This would be so much cooler for me." >> Well, now it's got to happen. So, send me some [ __ ] Let's get it going. >> I'm going to send you some [ __ ] That would be crazy. That would be >> appreciate you. >> Thank you, man. Thank you. >> You know, that just got me thinking

like, you know, walking Phoenix provided push a tea with a beat. >> No way. >> Do you know about this? >> I think like that King Push song like Yeah. I don't know if he gave it to him and it was produced by somebody, but he Yeah, it came from Phoenix. >> We Phoenix gave the beat to Yay. >> So, when I got the beat from Yay, it was, "Yo, we gave me this beat." >> That's interesting. >> Really weird. I've been hearing about some low-key producers. >> Robert Patson be making beats. >> No way.

>> Yeah, dude. >> Is it good? >> I don't know. I've been trying to get them. I've been trying to get the beat. So, just for my curiosity, I got to >> Oh, wow. >> Got to know. >> Oh, that's so cool. >> I just I I don't know how to do drum. I'm I'm so good at the sample selection and then I just always sucked at drums and I >> Did you program them in? >> Yeah, just MIDI. Yeah, >> that's why. >> Oh, you got to play them. some. >> But I don't think I can play it. I just I don't know. >> But you can really don't knock it yet.

Just try it. Just try. The click in the beats thing is difficult. It's difficult to get a vibe >> from that. It's it's really difficult. And I actually >> do that sometimes >> knowing what it's going to sound like. >> Like sometimes I want stuff that sounds rigid on purpose. >> Yes. But like >> it's only only then >> because like I just cannot and a lot of people do that. A lot of people just click them in and all I just cannot do >> Yeah. Yeah. >> If I want that feel. >> But like you got it. You just got it.

>> But even I remember like there's a Kanye interview where he's like I can He says he I mean he's amazing but he was like I could never figure out drums. He was like my drums didn't slap like Dilla. He was like my drums were not like Travis Scott. Like >> Yeah. But his drums he did his thing with He just does his thing with what he's got, you know. And I think I think, you know, Doom did his thing. >> But when you listen to early Kanye, like his first track ever for Rockefeller, I think was Beanie Seagull and Jay, this

can't be life on one of Beanie Seagull's random mixtapz >> and you hear the drums and you're like, "These are garbage." Like these are not good drums. Yeah. >> And then half the drums are like impeach the president, you know, [ __ ] generic ass [ __ ] >> you just got to try sound for sound. Don't do like the whole kit. Don't be trying to play the whole kit. Just do like just do some high hats first. Play those in. Play the high hats in. >> You know, you can even quantize them later, but just put the high hats in and then, you know, do the snare, do the

>> another thing for you in that case, >> cuz now you you put me on. >> Yeah. is do your drums first >> and then try to form your sampling around the drums versus >> using the sample. >> Trust me. >> It's like >> I have trouble with that sometimes. Like find cuz finding the right pairing can be really can be really challenging. >> But like if you set the drums first and

you get a good groove >> Yeah. with them drums, then something else can happen >> than maybe you might think. >> I feel like you're more optimistic than me, but I will try. >> Oh, man. You can do it. You can do it. You just got to have the time. >> Appreciate you, man. >> Yeah. Yeah. >> All right. >> Yeah. All right. We're actually done. >> Actually done. >> All right.